Patagon Journal interview
I was pleased to be invited by editor Jimmy Langman to be a judge in the annual Patagon Journal photo competition. This was after the relationship I built with Jimmy following the publication of a trekking guidebook I wrote on Patagonia’s Los Glaciares National Park. The book itself is long out of print but the experiences I had when visiting Patagonia, the challenges and rewards of researching and writing a book and having it published and the contacts I made throughout have long lasted. The thoughts I provided below for the competition were published on the Patagon Journal website.
1. You wrote a guidebook to Los Glaciares National Park. What are some of your favorite places in the park to photograph and why?
My single favourite place to photograph in Los Glaciares National Park has been Glacier Fitz Roy Norte. Access to the glacier is via Paso del Cuadrado, a small pass high above Piedra del Fraile that leads to the remote west face of Cerro Chaltén and the frankly awesome 1600m high Supercanaleta, or Super Couloir (the route of the second ascent of Chalten, by Argentinian climbers Carlos Comesaña and José Luis Fonrouge, in 1965). If you don’t have the technical skills to be on a glacier, just visiting the pass itself provides you with mighty views. The great rocks walls of Aguja Guillaumet, Aguja Mermoz and Cerro Chaltén to your left and the three Torres - Cerro Torre, Torre Egger and Cerro Standhardt - are in front of you, the glacier far below. Paso del Cuadrado was not difficult to access when I last visited (crossing a glacier and cramponing up a steep frozen snow slope) but with warmer temperatures globally and the effect this is having on mountain regions, current conditions may mean it is more dangerous or challenging. Be confident in your mountaineering skills or I’d recommend you hire a local guide.
Not far behind Paso del Cuadrado in terms of mountain views I’d propose is Circos de los Altares, an even more remote glacial cirque that is situated beneath the ice-encrusted west face of Cerro Torre. Unless you’re a climber, and an expert one at that, the cirque is accessible only via a demanding trek up Marconi Glacier out onto the Southern Patagonian Ice Cap, a great ocean of ice sweeping west from the southern coast of Chile to its border with Argentina. Up to 650 metres thick and almost 13,500 kilometres square, the ice cap is said to be one of the largest expanses of ice outside the Polar Regions.
Both of the locations above appeal to me because of the challenge required in getting there. Add to this the spectacular views and they tick two important boxes for me as regards to what I'm passionate about in photography.
2. In the current edition of Patagon Journal you have a photographic essay about travel opportunities in Scotland. What are some of the challenges to doing photography in Scotland, and how does it compare to doing photography in Patagonia?
The hardest part I’d propose about photographing outdoors in Scotland (which is parallel to photographing in Patagonia) is managing the weather. Our maritime climates are very similar and unfortunately I’m no stranger to cold, wet or windy weather (often all three). I don’t crave bright blue skies - meteorological drama in the landscape adds immeasurably to your images - but when you’ve spent many days or weeks (sometimes months) planning a photo shoot and the weather is forecast to be sideways rain and strong winds, it’s difficult to a.) manage the disappointment it’s a personal project or b.) meet the brief if it’s a client shoot. We have to either go to plan B (always have a plan B) or reschedule.
3. What are some of your favorite places or things to photograph in Patagonia, and any plans to visit Patagonia soon? Where else do you want to photograph in Patagonia?
Regrettably, I’ve no current plans to revisit Patagonia (a recent potential trip to help promote the Los Dientes de Navarino circuit on Isla Navarino unfortunately didn’t come to fruition). I’d love to come back though, either with the goal of delivering a respected brand’s advertising campaign - the potential in Patagonia for inspiring the outdoor market is superlative - but I'd also like to support conservation activity in Patagonia from a photography and story-telling perspective, helping to reduce the impact we’re having on the environment and encouraging change (although I appreciate the contradictory aspect of that statement, given I live over 8,000 miles away in Scotland).
On a personal level, mountains are my passion and anything particularly rocky or snowy piques my interest (with glaciers and small mountain lakes being an added bonus). Locations in Patagonia I’d love to visit for photography include Cordillera Darwin - for Monte Sarmiento and Monte Bove - plus Perito Moreno National Park, home of Cerro San Lorenzo (I read many years ago about an adventurous trek which circumnavigates the mountain and it regularly resurfaces in my memory). An exploratory boat trip photographing the landscape around the fjords on the western coast of Chile would be awesome, as would the opportunity to be on the crew again to photograph the Patagonian Expedition Race (the locations the race director takes competitors into are amazing). The crowning glory I’m imagining would be a in-depth photo essay on one specific area, where I could cover the mountain and coastal landscape, key flora and fauna, the people who work there and are involved in its protection, plus those that play. In that regard, Kawésqar National Park in southern Chile holds great personal appeal.
4. You have specialized in outdoor photography for many years. What are a few of your most memorable moments and images in your outdoor photography career and why (Also, please explain a little of the backstory in your answer on what was happening at the time and how you got the shot)
My most memorable photos aren’t always those I’d class as being my best work (the initial image I’ve chosen was actually before I started as a photographer).
a.) Cerro Torre, Torre Egger and Cerro Standhardt from Circos de los Altares
Aside from the ‘firsts’ (first payment, first magazine publication, first cover, first advertising campaign), a particularly memorable moment - given it led to me starting my photography business - was having eight pages of pictures of Cerro Torre, Torre Egger and Cerro Standhardt from Circos de los Altares in a UK magazine called High Mountain Sports. The editor had been wanting to publish a Patagonia climbing special but the capricious nature of the weather had thwarted his efforts up until that point. Fortuitously, on a trek across the Southern Patagonian Ice Cap to camp in Circos de los Altares, we had perfect weather and I was able to share images that met the magazine's needs.
A photograph which led to me starting my photography business - Cerro Standhardt, Torre Egger and Cerro Torre from Circos de los Altares on the Southern Patagonian Ice Cap.
b.) Kayaking with dolphins during the Patagonian Expedition Race
Team East Wind sea kayaking with dolphins on the Strait of Magellan during the Patagonian Expedition Race.
The Patagonian Expedition Race is an adventure race par excellence held in the wilderness of southern Chilean Patagonia. Teams of four are challenged to navigate a remote 700km+ course, with minimal support, that demands advanced skills in the disciplines of mountain biking, trekking, mountaineering and sea kayaking. I captured this image as Team East Wind from Japan kayaked the Straits of Magellan ahead of their final 100km mountain bike into Punta Arenas. I was aware dolphins swam in the waters, having researched the history, flora and fauna of Patagonia thoroughly for the book I’d written on trekking in Argentina’s Los Glaciares National Park. I also had a feeling they would follow boats on the water, based on my understanding that dolphins are naturally inquisitive. It was a combination of this knowledge and, likely, some luck that led me to drive down a dirt road in a 4x4 along the shore as I followed the kayakers and waited for a dolphin to emerge. Every time one did, and sometimes there was more than one, a cheer arose from the team, their enthusiasm buoyed as they battled their way to a second place finish.
c.) Celebrating the dawn in Scotland
Charlie Lees early in the morning running on the Grey Corries ridge in the West Highlands of Scotland
The image I'd pictured in my head before this shoot was of a mountain runner navigating a ridge that snaked into the distance as the sun set far in the west over Ben Nevis, the UK's highest peak. I'd roped in a friend, Charlie, to help and we’d hiked up the mountain the previous afternoon so we were in a perfect position for the shoot. Unfortunately, as is often the case in Scotland, the weather didn’t play ball. The forecast was good but the light at sunset was muted by low-lying cloud and so we improvised instead, shooting a variety of shots until it got too dark. I wasn’t too concerned as we’d had the foresight to bring sleeping gear with us and we planned to spend the night on the summit so we could shoot again the following day.
The following morning, I awoke well before sunrise. I was disappointed to find the clouds were still there but a wild mountain hare, stationary not five feet from my head, buoyed my spirits. The hare and I sat in silence for a while, perhaps both of us just admiring the view, before it hopped away out of sight. My intentions were still to shoot facing west, catching my subject as the sun caught the ridge lines out to Ben Nevis. The view to the east though caught my eye and as the sun rose we turned around and focused on the opposite direction. As Charlie crested the summit, he leapt in the air slightly and I knew I had my shot. After a few repeat takes, including some without the leap, I was happy.
Capturing this image reminded me that it's best to keep an open mind and consider all options available to me when I'm executing a shoot. It also reminded me to keep an eye on an athlete’s natural traits and take advantage of them, when it’s appropriate, to produce a compelling image.
d.) Scotland 282 Munro Round Record Holder
Donnie Campbell running on the Horns of Beinn Alligin, in the North-West Highlands of Scotland
Scotland has 282 hills over 914.4m high (3,000ft) that are designated as Munros. Many if not most people (including me) take years or a lifetime to complete them all. Donnie Campbell is a running coach and endurance athlete from Scotland who, in 2020, ran all 282 peaks in just under 32 days, covering a total of 833 miles and 126,143m ascent (not including the cycling and kayaking he did to travel in between) to break the record at the time for the fastest completion of the Munros. This image, taken after the fact, showcases Donnie on the Munro Beinn Alligin in Torridon in the North-West Highlands of Scotland. It summarises what I particularly enjoy about photography - having the opportunity to illustrate someone’s athletic ability in the mountains.
e.) Backpacking Scotland's Munros
Alex Haken backpacking in the Mamores in the West Highlands of Scotland
One of the joys I find in backpacking (aside from poring over maps as you plan a trip) is staying up high in the mountains and walking right to the very end of the day, knowing you'll very likely be the only folk left on the hill. Many times over my hill-walking career I've experienced the solitude of being the 'last person standing' on a mountain. Backpacking has enabled me to camp on a number of high bealachs and summits in superb regions of Scotland such as Glen Torridon, Glen Coe, the Cairngorms and Glen Affric, as well as further afield in the Alps and Patagonia.
One of my favourite backpacking locations is the Mamores in the West Highlands of Scotland. Totalling 10 Munros (Scottish mountains over 3,000ft/ 914m high), the Mamores are grouped into 3 sets of hills, all easily tackled by a number of different routes. The central Mamores are characterised by narrow ridges, including the rocky arete on An Gearanach and the ominously named Devil's Ridge on Sgurr a'Mhaim. Shown here is us descending off the sweeping ridge of Na Gruagaichean one November, headed for a wild camp up high between An Garbhanach and Stob Coire a'Chairn. We had started our trip the previous day in Glen Nevis, planning to climb only three of the Munros but good stable weather meant we were able to continue over a fourth and put ourselves into position the next day for an easier round of the more well-known Mamore peaks that make up the Ring of Steall.
f.) Last light on the Scottish hills
Footprints in the snow at dusk during a winter hillwalking day out on Braigh nan Uamhachan in the West Highlands of Scotland.
This photograph is of a friend of mine, David Hetherington, as we headed along the snowy ridge of the Corbett, Braigh nan Uamhachan, in the West Highlands of Scotland. For pure satisfaction, it’s right up there with others in my portfolio, captured during a weekend that ticked many boxes for what I look for in a hillwalking adventure;
A night in my sleeping bag - We’d stayed the evening before at Gleann Dubh-lighe bothy, a stone building with a fireplace that the Mountain Bothy Association renovated in 2013 after it was accidentally burnt down)
A bluebird winter’s day hiking entirely on our own up a striking peak with a narrow ridge – We'd climbed first the 909m high Corbett, Streap, which is located right across the glen
Pure and simple hard work - After we descended 650m to the waters of Allt Coire na Streap we had a relentlessly steep 400m ascent back up to the ridge where we are in this photograph
Add in a setting sun, which we just caught before it dipped below the horizon, the fine view we had across to Ben Nevis, the UK’s highest peak (top left), and a descent by head-torch down a steep gully in the dark (lured by the thought of hot food and whisky back in the bothy to finish the day) and it had all the ingredients I like to look for when I’m planning a trip away in Scotland’s hills.
g.) Celtman Extreme Triathlon
Competitors heading pre-dawn towards the swim start of the Celtman Extreme Scottish Triathlon.
An iron-distance triathlon, Celtman is part of the XTRI World Tour series of races, of which Patagonman is also a fixture. This demanding race in the Scottish Highlands challenges competitors to swim 3.4km across a tidal, jellyfish-infested sea loch, cycle 202km on scenic highlands roads and then run a marathon 42km distance over two Munros on Beinn Eighe, both over 990m high.
Photographing Celtman means being up at 3am for the 5am swim start, driving the 202km cycle route in a 4x4 vehicle and then ascending 860m to run after and photograph the triathletes on this 3km long mountain ridge.
5. What advice do you have for aspiring outdoor photographers?
The following is an excerpt from a separate article I wrote about ‘Hints and tips for capturing great outdoor sports photography’.
The six things I would suggest to focus on are;
Know your camera
Shoot sports you know
Choose great locations
Prioritise good light
Try different angles
Focus on composition
Key takeaway -
Practice and master the above until it becomes second nature so you can free yourself up to focus on your creativity, seeking out moments which can help you to stand out from the rest
Appreciate that, other than exposure, there’s no real right or wrong. Try different things and see what happens. Take lots of shots and share them widely. Gather feedback and keep learning and, above all, enjoy the process.
6. What will you be looking for when deciding the winning photos of the Patagonia Photo Contest? What for you is the difference between a great photo and a good photo, for example.
Why someone proclaims an outdoor sports photograph to be a ‘great photograph’ is usually a personal thing but when I see an image that really captures my attention, it’s usually because two or more things have taken place;
People — A dynamic moment has been captured, usually in a creative way.
Place — The photographer has used an inspiring location that really connects me with the scene and helps me understand what’s going on (either a location I’ve not seen before or, if I have, they’ve photographed it in a unique way).
Lighting — They’ve made great use of natural or artificial light to bring the image to life.
I’ll have these three things in mind when I'm reviewing the submissions, which I'm looking forward to.
7. What are some projects you are working on right now, and what projects do you hope to do in the future?
My most recent efforts have gone into re-designing my website, adding new work that I plan to use to interest new clients. I'm hoping to have this launched before the end of March.
In the Spring, I'm looking forward to continue a mountain landscape photography project focusing on the Glen Coe and Lochaber region in Scotland, rounding out what I have already with images from lower down in the glens to produce a more complete representation of the area.
Adventure sports-wise, I've got a three trail and mountain running projects on the horizon, plus a specific mountain bike photography shoot planned, where I'm planning to use strobes to make the athlete really stand out from the landscape.